2012 The Lost Symbol – An Ancient Code Design

In our previous post, The Lost Symbol – December 21, 2012, we made some comments about the Freemason paternal influence on Lord Pakal Ahau and his life decorated with Freemason paternal and Maya maternal rituals since he was a child.

In a recent conversation with Lord Pakal, we asked for a better interpretation of his 2012 ideas, this time on why he gave us a Freemason illustration to include it in our YouTube video collection. The illustration shows The Lost Symbol (Solomon Key) that Dan Brown’s new novel is relating to 2012.

He agreed to it and this is a brief summary of what he said.

‘In general, written symbols are like Maya glyphs. They connect through mental and verbal communication. I made the translation of Enigma’s Principles of Lust to show you it contains a connection that 2012 is part of history in the making. 2012 is not only a Maya event but a series of quantum leaps in time. They are all interrelated.

For example, the Enigma project group was very successful in 1990 in bringing a collective conscious music that we can all identify with their ideas. Spiritual music, numerology and symbols research interconnected to our neuronal system begging for a change. However, 2012 is the definitive change. The final quantum leap of humanity. 2012 is like Eternity. Why do you think our Mayas stop calendar calculations? The tridimensional finite matrix was complete and finished in our time. No need to add another level of time.

I cannot talk about Freemason codes. They are reserved codes of an intelligent group I don’t belong although my father taught me well in the difficult art of Freemasonry. I’m only a monk, a shaman and a Maya priest with a definitive mission in 2012. But look what other people have produced consistently. It is history repeating itself. There are no coincidences in our time.’

Based on Pakal’s comments, we took a second look to the first two Enigma’s CDs. If you pay attention to the covers you will find this interesting connection that Lord Pakal is talking about. The first CD cover showing an illuminated monk giving his back to a cross, like rejecting a doctrine.

More, in the second CD, Michael Cretu composed the music as a narrative of the Catholic Church conquest and massacre against indigenous people (the song The Cross of Changes is very explicit), but there is an interesting symbology of 2012 included as well in the second CD.

The face cover of the CD inside shows the 2012 alignment of stars circled by a Zodiac diagram. The promotional t-shirt design displays the Da Vinci diagram (the famous Vitruvian Man), with astronomical planetary codes in a pentacle and the cosmic alignment again of 2012 along the man’s body.


We compared Lord Pakal’s design in the 2012 Maya Tattoo, a Flash presentation he published years ago. The symbology is exactly the same and that was before The Matrix movie, another quantum leap, was released. In the presentation, Pakal says, ‘Follow the White Rabbit’, and includes a voice recording of Dr. Timothy Leary.

In addition, we have included the Enigma Vitruvian design in our store that was offered in Enigma’s The Cross of Changes as a t-shirt by Polytrans-Euroline Performance Tees (the company does not exist any longer). Order this item by clicking the red link.

We leave the reader with an interesting quote from the CD booklet, Enigma’s The Cross of Changes written by poet Jalauddin Rumi:

I tried to find Him on the Christian cross, but He
was not there; I went to the Temple of the
Hindus and to the old pagodas, but I could not
find a trace of Him anywhere.

I searched on the mountains and in the valleys
but neither in the heights nor in the depths was I
able to find Him. I went to the Ka’bah in Mecca,
but He was not there either.

I questioned the scholars and philosophers but
He was beyond their understanding.

I then looked into my heart and it was there
where He dwelled that I saw Him; He was
nowhere else to be found.


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