This is a strange experimental design we made with ASCII numeric codes about the year 2012. It generated a lot of 8 and 0 in the rows, which we cannot prophecize the meaning but nonetheless it contains the warning of the Maya prophecy embedded in a mathematical matrix.

To order this interesting design for your t-shirt collection, click here.

We leave the reader with the most recent Lord Pakal Ahau’s quote about 2012 for your consideration.

“If the world only knew what 2012 is about, but it is as though our species senses intuitively that the great mutational movement is about to occur.” (Lord Pakal Ahau. 2009).

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Bryn Freedman, the executive Producer who launched Intervention, Go Go Luckey Entertainment & BermanBraunCasting Television Productions are searching for two Lead Investigators for the TV Series SEEKERS 2012.

PROJECT
Documentary series for the History Channel, surrounding the Mayan prediction that 2012 will be the END OF DAYS as well as other unexplained phenomena.

WHAT SEEKERS 2012 ARE LOOKING FOR

Male & Female Investigators between the ages of 30 and 45, who are scientists, explorers, or adventurers with advanced degrees (Ph.D desired).

Ideal Investigators would already be a team (husband and wife, co- workers) who fall somewhere between the FBI Agents on “The X Files” and “Indiana Jones”. One is a believer, the other a skeptic. One is driven by reason, science and empirical evidence, the other by feelings, intuitions and faith.

Ideally, the woman would be the skeptic and the man the believer. We are not limiting ourselves to an existing team nor will we rule out a woman who is the believer and a man who is the skeptic. We are open to any combination as long as they are articulate, passionate, and knowledgeable.

Investigators must also be genuinely curious as to why there are predictions in nearly every culture that the world will end in 2012.

WHAT IS THE DEAL
In each episode Investigators will scour the globe investigating these “End of Days” prophesies and other unexplained mysteries. These hosts will share their questions, investigative techniques, knowledge and gut instincts with the audience, as they seek answers to some of the world’s oldest and most ominous predictions.

Is this you? Click the link to know more.

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Telling stories is a rich human tradition in our Maya culture and sometimes they become very entangled with our experiences. We do not know why Lord Pakal Ahau asked us to write this post but we suspect he is evolving into an enigmatic creature with multiple memories at the end of 2012.

In the 60’s, he met a famous Mexican mask professional wrestler called El Santo, whose real name was Rodolfo Guzman Huerta. El Santo died on February 5, 1984 and both had a tremendous influence on each other. El Santo became one of the greatest legends in Mexican sports.

However, the story is more complex because Pakal became a fan of El Santo, and in his retirement on Pakal’s 32nd birthday he dedicated the event to Lord Pakal at the Palacio de los Deportes in Mexico City. Santo died from a heart attack on February 5, 1984, at 9:40 p.m and as per his wishes, he was buried wearing his famous silver mask. In a same ritual as King Pakal was buried with his jade mask. We think this death wish is what made Pakal and Santo good friends forever.

The story continues with Pakal because Pakal’s body looks more and more like a young bodybuilder in his 30’s (I’m not kidding) and we think it is part of Pakal’s 2012 plan. Honestly, I’m envious of Pakal’s genetic in every sense. He is a superman gifted with a supermind. That’s why people who meet Lord Pakal become hypnotized with such human perfection.

To make this tribute short to Pakal’s friend, El Santo, we designed this t-shirt with El Santo mask but we added an unusual tattoo of the Virgin of Guadalupe in the skin body as Pakal instructed us. The model is very similar to Pakal’s body in actual age, believe it or not. To order this fantastic t-shirt, click here to go to our store.

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In the midst of 2012 controversial issues and films, the awaited 2012 exhibition in Leiden, Netherlands, opened to the public on October 7, 2009, the exhibition “Maya 2012, het mysterie van een eeuwenoud volk” (Maya 2012, the mystery of a centuries old people) at the Museum of Ethnology in Leiden, the Netherlands, was presented to an invited audience and the press. On October 9, 2009, the exhibition was opened to the general public.

(From Maya News: Updates) The exhibition is centered around the theme of the well-known date 13.0.0.0.0, 4 Ajaw 3 Uniiw, a date which through the correlation constant 584,283 can be transposed to the Christian (Gregorian) date December 21, 2012. And that date has become of importance in recent years, in which many a “doomsday” scenario has been described.

The final part of the exhibition shows the one Classic Maya text (through an enlarged black-and-white drawing) that records the date 13.0.0.0.0, 4 Ajaaw 3 Uniiw in 2012 at Tortuguero Monument 6.

This text is the final part of a longer inscription (known as Monument 6, possibly a T-shaped wall panel) from the site of Tortuguero, located in the Mexican state of Tabasco. During its apogee in the Late Classic, the time period in which this text was produced (the main text records historical dates and events from A.D. 612 to A.D. 667; the side panel records a date in A.D. 510, after which a Distance Number follows to connect the event to A.D. 2012), the site had a strong connection with the site of Palenque (both royal houses employ the same paramount title), located in the Mexican state of Chiapas.

Several texts at Palenque, written during the reigns of various kings, refer to another 13.0.0.0.0 date, the one on 4 Ajaaw 8 Oohl, or August 11, 3114 B.C. (same correlation, 584,283; Gregorian). The Maya scribes, as instructed by their royal patrons, recorded the mythical events before, on, and after that very early date. From these events, and the mythological participants in these events, the Palenque kings derived their royal legitimacy. However, these events concerning 4 Ajaaw 8 Oohl are only covered in short, summary statements, the precise meaning of some of these events still eludes us or are hieroglyphically transparent (we can decipher all glyphic parts) but in meaning it remains opaque (the resulting word has many meanings which may be applicable, or the word does not exist anymore). These particular texts, written and inscribed under the patronage of Palenque kings K’inich Kan Balam and K’inich Ahkuul Mo’ Naahb’ III, most intriguingly open with these events relative to 13.0.0.0.0, 4 Ajaaw 8 Oohl, in 3114 B.C.

The Tortuguero monument seems to do something comparable. The final part on the 2012 (actually 13.0.0.0.0) date is very short, just 8 glyph blocks describe the date and the events that are related to this date. The much longer preceeding text (most probably when the monument was in one piece and T-shaped) covers over 175 glyph blocks detailing important events in the life of Tortuguero kings. Thus less than 10% of the text tells us, in the present-day, about 13.0.0.0.0, 4 Ajaaw 3 K’ank’in in 2012. If it was a wall panel, it would have been placed in a private setting and the contents of the text was not meant for eyes at all … More importantly, the 13.0.0.0.0, 4 Ajaaw 3 Uniiw, in 2012, date and events are recorded AT THE END of the text.

Where at Palenque the texts OPEN with events before, on, or just after 13.0.0.0.0, 4 Ajaaw 8 Oohl in 3114 B.C., the text at Tortuguero CLOSES with the events on 13.0.0.0.0, 4 Ajaaw 3 K’ank’in in 2012. The integration of these very important dates, calendrically but also mythologically, seems to be some kind of literary device. “From the olden times” (Palenque) to the “new times” (Tortuguero); these dates thus frame HISTORICAL events (the dates and events “in the middle”) and the kings that employ these dates, and record the associated events and the names of the mythological participants, derive their legitimacy from them.

So, what does that final event, in 2012, recorded at Tortuguero actually tell us? First of all, and very importantly, this part of the text suffers from erosion and breakage. This breakage even has resulted in the fact that parts of this text are housed at different locations in the world; part in a museum in Villahermosa, Mexico (where it is on exhibit), while another part resides in the USA in a private collection (luckily, there are photos … and no, I have not seen the fragment). But …. the final part of the text tells us that 13 calendrical periods named pik (aka. bak’tun) are completed on the date 4 Ajaaw 3 Uniiw. On this date something will happen (‘u-to-ma, for utoom), somewhere … but the name of the possible location is eroded (and epigraphers do not even agree if indeed this is the name of a location or that it spells something completely different). The text continues with what seems to be a spelling ye-ma, but which for the same calligraphic reasons (long inner lines and rotation of the sign; and considering erosion) may read ye-he (possibly a former je sign; at the end of the Classic period /j/ and /h/ merged). Both lead to viable readings, ye-ma to yemal “(is the) descent of” and ye-he to yehet/yeht perhaps meaning “together with” (research on the meaning of -eht continues, as does research on the root em-). What follows this statement is the name of a god, Balun Yokte’; in other texts his name is recorded in full as Balun Yokte’ K’uh, in which k’uh means “god” (and we now can enter a debate if the “god-concept” among the first Spanish frairs, who composed the earliest dictionaries in the 16th century, is the same as the “god-concept” among the Maya, or Mesoamerica for that matter).

Epigraphic research has shown that Balun Yokte’ K’uh is a god (…) who is connected to war and the transition of time periods. One text at Palenque even connects this god to an important mythological (read “not historical”, although now we can enter yet another debate) event some 900,000 years in the past. The final glyph block opens with the sign ta, probably spelling the preposition ta “in, for, with,” but what follows, the very last glyphic signs, nearly is eroded beyond recognition. Only a few inner lines remain, even the outher cartouches are incomplete.

The “prophecy” of 2012, that one Classic Maya text on the date 13.0.0.0.0, 4 Ajaaw 3 Uniiw, is incomplete. We have just sniblets on this date and its associated events. Not even story can be recorded in 8 glyph blocks, maybe just the main words of a much longer headline that recalls the story of what will happen on that date. Just as we have only fragmentary (but still more than …) information on that other date in Maya time reckoning, 13.0.0.0.0, 4 Ajaaw 8 Oohl, in 3114 B.C.
So, what happens after? Well, it all continues. Even the Maya told us. For instance, at Palenque king K’inich Janaahb Pakal records a date into the future and well after 2012. And with excavations going on in the Maya area most probably the next discovery brings us a new text and yet another pespective on these events described above, or any other event for that matter. We are learning, and we keep learning. As 13.0.0.0.0, 4 Ajaaw 3 Uniiw, is not the end of the Maya calendar or Maya culture or the world as we know it, let this date and its fascinating circumstances not be the end of our learning, understanding, and appreciation.

To visit the Museum’s website, click here.

NOTES FROM THE EDITOR: As you probably know our Director Lord Pakal Ahau was the one who extended the Tortuguero translation based on his knowledge of Maya epigraphy. In addition, Pakal has given us certain information codes to complete the translation mathematically but he will not elaborate in meaning of the 2012 Prophecy. Only he knows the outcome and he will not disclose further details of the famous Prophecy that includes his amazing reincarnation. Here are the cryptic mathematical codes he wanted us to include the blog:

- Why the Maya king B’ahlam Ajaw feared the local patron god Ahkal-K’uk’?

- How many days transcurred between the Creation date and the dedication of the panel in 669 CE? What important event happened in 510 CE?

- How many days and conjunctions  of Mars/Jupiter/Venus are between 669 CE and 2012?

- Why the King erected an underground shrine to hide the Tortuguero 6 panel?

- Why the Tortuguero panel ends in December 21, 2012 with a clear warning of Bolon Yokte Ku?

- Why Lord Pakal Ahau holds a plate that connects Tortuguero and Palenque with their Maya dynasties? (This plate was given to Lord Pakal by a Maya collectionist in New York in 2005 as he verified Lord Pakal Ahau is the right reincarnation of King Pakal of Palenque).

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The book is called ‘The 2012 Story – The Myths, Fallacies and Truth Behind the Most Intriguing Date in History’ (2009).

From the groundbreaking researcher John Major Jenkins, who has guided the 2012 discussion for over two decades, now comes an epic exploration of the authentic origins and meaning of this portentious date. Surveying the roots of 2012 in Maya astronomy, prophecy, and metaphysical philosophy, The 2012 Story explores how this date has become a subject of mass fascination today — for popular writers, in the mass media, Hollywood, and among the Maya themselves.

In The 2012 Story discover:

• How the early Maya devised the calendar that gives us the cycle ending in 2012 and how it works.
• How the ancient calendar was rediscovered in modern times.
• How the 2012 idea has been interpreted—and misinterpreted—by professional scholars, spiritual impresarios, and popular culture.
• What key controversies and enigmas surround the concept.
• How we can cut through all the noise about 2012 and gain true wisdom from Maya teachings about our present moment in history.

To visit the book’s webpage click here.

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This is probably the cutest Maya inscriptions we have found in our archives. It reminds us the Disneyland characters in animated movies with a great story.

We have not fully deciphered the glyphs yet but the preliminary translation tells us of two brave Maya brothers who knew their king was in trouble at war and volunteer for the Star Wars at Dos Pilas. We love the courage of these two kids. The king promoted the two kids to be elite warriors at such young age.

Don’t they look like Pinocchio and Peter Pan together? Maybe Disneyland take notice of this story and make a beautiful animation movie for 2012.

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We were reading at Typophile.com about some controversial font for the 2012 London Olympics and we were mesmerized at the slant design and its ligatures. Read the article and comments here.

This fact inspired us to do our own 2012 font modelled after Emmerich’s 2012 movie so we can compete with the 2012 London Olympics font and show to modern designers some Bauhaus principles. We called our font Kiche Vertical™. A more elegant font in our opinion since our blog is everything 2012.

In addition, we can’t wait for the Rio 2016 Olympics logo and we hope it will be styled with bossa nova music. They deserve the Olympics in South America.

Here is a sample of our 2012 Kiche Vertical™ typeface.

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With the original code decipherment that our Lord Pakal Ahau made on Emmerich’s 2012 movie trailer final shots, I mentioned to him that our blog is being searched hundreds of times for the meaning of the phrase ‘Into A Place Called Apocalypse.’

Days later, Lord Pakal came and gave me this enigmatic message with an image of King Pakal’s mask. So, it seems related to 2012 as he wrote also the title of this post. We do not know if the message is a vision-prophecy or a warning as Lord Pakal did not gave me further details. Here is the cryptic message.

‘Remember, remember the 21st of December.

The multiplying villanies of nature
do swarm upon him.
Disdaining fortune,
with his brandish’d steel…
which smoked with bloody execution.
We are oft to blame in this –
‘Tis too much proved.
–that with devotion’s visage and pious action
we do sugar o’er the devil himself.
Who is but the form
following the function of what…
…and what I am is a man in a mask.
But on this most auspicious of nights…
permit me then, in lieu of
the more commonplace sobriquet…
to suggest the character
of this dramatis persona.
Voila!
In view, a humble vaudevillian veteran…
cast vicariously as both victim and villain
by the vicissitudes of fate.
This visage, no mere veneer of vanity…
is a vestige of the vox populi,
now vacant, vanished.
However, this valorous visitation
of a bygone vexation stands vivified…
and has vowed to vanquish these venal
and virulent vermin vanguarding vice…
and vouchsafing the violently vicious
and voracious violation of volition.
The only verdict is vengeance,
a vendetta…
held as a votive not in vain,
for the value and veracity of such…
…shall one day vindicate the vigilant
and the virtuous.
Verily, this vichyssoise of verbiage
veers most verbose.
So let me simply add that it’s
my very good honor to meet you…
and you may call me V.

From the movie script V for Vendetta (2005).’

NOTES FROM THE EDITOR: I found interesting the analogy that Lord Pakal Ahau made with his mask and the character V in the movie V for Vendetta for 2012.

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Sit on the steps of Mexico’s El Castillo pyramid in Chichen Itza and you may hear a confusing sound. As other visitors climb the colossal staircase their footsteps begin to sound like raindrops falling into a bucket of water as they near the top. Were the Mayan temple builders trying to communicate with their gods? Read this new research article at New Scientist.

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This astonishing video production in our YouTube channel is based on numerous emails we have received from people who have experienced persistent visions in their dreams about our Lord Pakal Ahau in the last year. It seems to be a supernatural phenomenon of his powers and he is aware of it.

To watch the video, try this red link and find out if it is available in your country. Unfortunately, YouTube has blocked the movie in some countries, including United States due to visual content, but it is available to share with the European community and elsewhere.

The first part of the video is sang in Old Sanskrit by the Enigma music band and definitely matches the prophecy of Chilam Balam about the ’solar child who is of smiling face, bestower of all fortunes, whose hands are ready to rescue anyone from fear, who is adorned by various ornaments with precious stones.’

The video is based in the book Dune written by Frank Herbert when he lived in Mexico and learned from our Maya tribes about the birth prophecy of a solar child. The final genetic product planned by the Ancient Maya Order of Chilam Balam and its Nine Degrees, researched by Mayanist Hector Calderon in 1969. The amazing story became true when Lord Pakal was born in August 1952 to fulfill the final 2012 prophecy.

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